Quentin Tarantino’s newest film “Inglourious Basterds” pays homage to the Italian Spaghetti westerns and to the 1970s World War II Macaroni combat film “Inglorious Bastards” by Italian Director Enzo G. Castellari that Quentin absolutely adores. Like most of his films, the movie is an eccentric blend of influences from various genres, styles and cultures amusingly spliced together to create an original.
Like Quentin, I am a big fan of Director Sergio Leone. The opening sequence (or Chapter 1) of the movie is an obvious retake of the “family massacre scene” from Leone’s “Once Upon A Time in the West.” The camera angles, the editing, the pacing and the framing are all Leone. The film’s musical score and soundtrack actually contains several previously released tracks by Ennio Morricone, Sergio Leone’s musical composer and frequent collaborator (Tarantino actually wanted Morricone to compose the original soundtrack for the film, but he was unavailable). “Once Upon A Time in Nazi Occupied France” was even seriously considered as a subtitle for this film. I believe Quentin actually saw a similarity between his Nazi villain Hans Landa and Leone’s villain Frank (played by Henry Fonda) in “Once Upon A Time in the West.” Both look and act unassumingly -- they play against their stereo-type, but are actually cold-blooded ruthless killers.