Restoring Old Photos

"Restoring old photographs" is an art in itself.  In my experience, it is a combination of photographic knowledge and painting skills.  I am not a professional restorer in the strictest sense of the word, but I do use restoration/retouching techniques in my work as a commercial photographer.  I have to warn you that I did not take any seminars to learn what I am about to share here.  So my methods might be a tad unconventional, but they do the work and get the job done.

 

Hair can be tricky to restore. Pay attention to highlights and shade.

 

By definition, "Photo Restoration" is the practice of restoring photographs that have been damaged by nature, harsh handling, the deterioration of the medium and/or plain neglect.  Before the advent of Photoshop (and other similar photo-manipulation software), restoring old photographs were only undertaken by professional restorers and serious hobbyists, because it required manual hand-painting or retouching with photo-safe dyes on the actual print.  It was costly and time consuming.  But digital technology changed all that.  By scanning the original print or negative and working on a digital facimile, we are able to restore the image without damage to the originals.  Through this process, we are not only able to restore but also improve the quality of the picture -- in terms of color, contrast and resolution.

 

Anyone equipt with Photoshop (any version or any similar software) can restore old photographs easily.  All you need beyond this basic software, is a good digital scanner and a lot of imagination.  Being good at drawing and painting helps, but visual acuteness is more paramount.  Because in the end, how a photograph ends up looking will all depend on an individual's personal taste -- something no one can ever teach.  So I limit my discourse to purely technique here.

 

I had to recreate the whole right-side of her face because of the damage.

Lucas Bought By Disney

George Lucas with Disney CEO Bob Iger signing the media deal of the year

Trick or treat, smell my feet, give me something good to eat!

 

Like a giant Black Hole, Disney just swallowed another big star in the media universe.  This time it's none other than the empire simply known as Lucasfilm, Ltd.-- The home of the "Star Wars" and the "Indiana Jones" franchise.  Like Pixar Animation Studios (which Lucas also originally created), Marvel Entertainment, Muppets Studio (by Jim Henson), ESPN Inc., ABC Television, A&E Networks and for a short time, Miramax Films, Lucasfilm, Ltd. follows the fate of a dozen other highly successful media companies that eventually became a part of the Magic Kingdom.

 

The Star Wars and the Disney franchise blend into one

 

According to George Lucas, creator of the franchises and sole owner of Lucasfilm, Ltd., "I'm doing this so that the films will have a longer life... I get to be a fan now... It's a lot more fun actually, than having to go out into the mud and snow."  The "Star Wars" and the "Indiana Jones" franchises have taken a life of their own, with a global fan base of billions of fans; George is just tired of being at the helm, a position that makes him the primary target of biased fan critism and ridicule.  Recently, he has become the object of derision when he release the 3-D versions of the 6 "Star Wars" films. For years, die-hard fans have branded George of being a commecial sell-out and for ruining his original creation-- the first three "Star Wars" movies.  George sums it up simply, "Why would I make any more (movies) when everybody yells at you all the time and says what a terrible person you are?"

 

 

After the vicious reception of his prequels, George vowed never to do any more "Star Wars" films and he is holding on to that promise.  But now that the franchise is owned by Disney, a new trilogy is planned, starting with "Episode 7" continuing the story of Luke, Han Solo and Princess Leia beyond "Return of the Jedi."  After that, Disney plans to release a new "Star Wars" movie every two or three years.  George will remain as a key advisor to the upcoming projects, but they will be headed by mega-producer Kathleen Kennedy, current co-chairman of Lucasfilm and the upcoming division president under Walt Disney Studios.

 

Disney is purchasing Lucasfilm, Ltd. for $4.05 billion, paying half in cash and half in newly issued stock.  George will end up owning 40 million Disney shares, 2.2 percent of the total when the transaction is completed.  The deal includes Lucasfilm, Ltd., its franchises and its divisions-- Industrial Light & Magic (ILM) and Skywalker Sound. 

 

George had a wild ride for more than three decades, which started when the first "Star Wars" movie became a mega-hit.  He wished upon a star (wars) and his wishes came true... in fact, beyond his wildest dreams.  It's time for him to hang his laser pistol belt and his light saber and enjoy a much deserved retirement.  Now it will be up to Disney to regale us with the continuation of George dream.  Will Disney turn out to be allied to the "Force" or in league with the "Darkside," only time will tell... 

Art Center College and 30 Years of "TRON"

The Movie 'Tron' with Jeff Bridges

I am a proud product of the two colleges I attended: USC and the Art Center College of Design.  So everytime I find an interesting article related to either school, I always highlight it in this blog.

This article is from the Art Center College of Design's Blog, Dotted Line:

This year marks the 30th anniversary of Disney’s Tron, the movie which introduced a generation to light cycles, identity discs and a glowing spandex-clad Jeff Bridges. It was also the first time most filmgoers marveled at computer-generated special effects.

The history and evolution of Tron wouldn’t be the same without the work of a number of members of the Art Center community who were involved in the original 1982 film - Syd Mead (TRAN '59), its 2010 sequel Tron: Legacy - Eric Barba (TRAN '92) and the current Disney XD animated series Tron: Uprising - Annis Naeem (current ENT. Design).

Click here for the Full Article:  http://blogs.artcenter.edu/dottedline/2012/08/02/tron-at-30-how-art-center-helped-power-the-grid/