His most recent work, "The Strange Case of Angelica," was premiered last week at the Cannes Film Festival. According to the centenarian, the idea for the movie was conceived in 1946 and he wrote the first draft in 1952. He originally wanted to do the film just after the Holocaust of World War II, but has now resurrected the project, tweaking the story to include modern issues like global warming, economic crisis and environmental pollution, because he feels that we are suffering from a universal loss of value that is now wreaking havoc not only to our lives and our communities, but also to our planet as well.
Oliveira has always opposed conventional forms of cinematic expression. In 1933, he published an essay titled, "O Cinema e o Capital" (Cinema and Capital), wherein he argues against the commercialization of American Cinema, which he believes smothers the creativity of the artist. By Hollywood standards, his movies are very European, characterized by long discourses, theatrical flares and static shots. They are also considerably longer than normal, some reaching almost 7 hours in length, like "Le Soulier de Satin" (The Satin Slipper, 1985). Most of his works are based on or are directly inspired by literary works (plays, novels, short stories, sermons and the Bible) and are very self-reflective and philosophical.
He has received numerous honours from the Cannes, Venice and Montreal Film festivals and has been awarded two career Golden Lions and a Golden Palm for his lifetime achievements.
Although I have never seen a film by this master of cinema, I am now very eager to find copies of his films. Here is a profile on Manoel de Oliveira by Aljazeera.
--Video from Youtube by Aljazeera.
1 comment:
Here is my ad for the Youtube Cannes Lions contest
More information here: http://www.evrard.me/home/canneslions.html
http://www.youtube.com/watch?v=m5adiEvGEJs
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